Vincent Browne Cathal O’Searcaigh The Three Card Trick
March 22, 2008
Vincent Browne , writing in the Irish Times has entered the O’Searcaigh debate. He writes of the general exploitation of those who live on the minimum wage , those who are marginalised in our society. He also raises the question of the movie itself and wonders if that was exploitative. In short , in spite his liberal credentials he repeats what most other journalist have said on the matter. His interpretation is the classic liberal one and it’s hard to fault it. He presses all the right buttons and is , I would imagine quite sincere in his argument. And yet it has all left me cold. I feel an immense tiredness. It’s hard to put it into words. ……But I’ve been here before …..And I suppose that most of all I am conscious of the fact that I cannot win , that I will be proved wrong in the long run….As I say , I’ve been here before. And the truth is of course that I’m not going to win this argument. I never was going to win. ….And less someone say that this is not about who wins or who loses let me make it quite clear here and now that that is exactly what it IS all about. That , boys and girls is what it’s always about. And there are winners and losers. There always are. And the winner of course gets to write the final chapter.
And the truth? Well , that doesn’t matter either. He who wins gets to dictate what was or was not true in the first place. You may say , in fact I’m sure you will say that all this is very cynical. But no , it’s not cynical it’s just the truth. But wait …..at this point the liberal will be heard insisting that there is indeed a thing called truth. He’ll say it loud and clear. He will declaim it from the rooftops. …..If he’s a journalist he will use all his skill and eloquence ….he may well bring a tear to our eyes and a lump to our throats.
In the movie , “In Cold Blood” there is a scene in which one of the killers is being interrogated by the police and is asked if he feels guilty. His answer is simple. “Guilty , that just a word the man (judge) say’s when your luck runs out.” And of course he’s right (from his point of view). Which only helps to underline the fact that words can and often do mean different things to different people. And that there is always a winner and a loser. In fact it’s all about who wins and who loses.
Vincent Browne would have us believe that it might have been better (more just) if the movie “Fairytale of Kathmandu” had not been made. And you have to stop here or at least pause a moment because this is where it gets …….well , confused. The movie , he feels was unfair , unbalance even hypocritical ……Like I say , this is where you have to go very slow. This is where you have to start thinking. As they used to say in the old war movies , “Don’t shoot until you see the whites of their eyes”. And in this instance , forget what I said about truth or anything else , just keep watching….because this is how the trick is done. Now , watch closely and don’t let yourself be distracted by anything ….And remember that Browne is a journalist and words are his tools …..
Vincent Browne would , as I’ve said have preferred the film was never made. He would rather we were not having this debate. He may try to square that circle by telling you that it’s the manner of the debate , the way in which it came into the public realm that he’s got a problem with but the bottom line remains that he didn’t want this film made. Now keep watching and remember what I said , “Don’t let yourself be distracted!” And in case you didn’t hear me the first time let me say it a little louder , “DON’T LET YOURSELF BE DISTRACTED!”.
Browne would have liked it better if we were not having this conversation. He feels that O’Searcaigh was used by the director of the movie , that we were all used , exploited by Ni Chainain. That the whole thing is in a sense a sham. He makes the point that we live in an unfair society where the poor and underprivileged are exploited daily , he expresses concern …..He puts forward as I’ve said a classic argument. …..He would have liked this whole issue to be debated in a proper manner and in the absence of that he would rather there was no debate. Or at least not this one. He has a perception of what a fair and honest debate is and this is not it. He aims for an ideal and this debate does not meet his rigid standard……that the issue should be presented and examined through the medium of popular television makes him very unhappy. The medium that is , with which the great mass of underprivileged feel most comfortable with , this popular media is the last place he wants the issue discussed. And yet this very media is used every other day in this manner. It is the norm for investigative journalism and has been for years without Browne having any problem with it.
He is a bit like the Socialist Worker Party who demand revolution but usually end up critical of anyone who starts one on the basis that it’s not quite pure enough. And like the SWP he has a fundamental distrust if not fear of the great unwashed especially when they start making demands of any sort. He (and all the rest) feel that they know best and they don’t like loosing control. They , the artists , poets and journalist stand shoulder to shoulder protecting their ground. From their privileged position (their near total control of the media) they lecture us on ethics and even philosophy. But they also judge us. And they judge us to be unlearned , unsophisticated in thought and intellect , little short of drones. They look at us and see the mob…..a howling mass of unthinking humanity that must be protected from itself. Trial by media they shout in disgust …..like magistrates of old they set their faces against the very people they would claim to be serving. They pride themselves on their liberalism but in a different age might have been writing for The Catholic Herald.
As I keep repeating over and over again all this has little to do with O’Searcaigh and it has even less to do with any concept of truth. This is about power. And power is not an abstract concept. Power is covetous. It is the powerful who dictate the terms of debate or if indeed there is to be a debate in the first place. But once in a very blue moon something goes wrong…..somone somewhere breaks rank….this is the ultimate sin against power. This way lies anarchy. But anarchy of course is one of those words which can mean different things to different people. It’s largely a matter of geography and politics and of course who exactly is telling the story.
For 20 years the working class have been subjected to trial by media/conviction without due process without as much as blink from the Brownes of this world. Daily , weekly and monthly they are and have been slandered as racists or homophobes if they dare to raise their heads above the parapet. Entire communities damned as ignorant or just plain stupid and worse still if they have the temerity to express an opinion. And this is never done to our faces but from the safe refuge of their ivory towers , their insulated fortresses. Whole communities marginalised and disfranchised and slandered and not so much as twitch from our modern liberals. Gombeens and hypocrites putting the boot in……and always from that safe distance. Like Mandelstam and his Lutherans, they mourn the fate of their poet (he’s no Mandlestam -and they known it) but they are really mourning an attack on one of their own class. Like intellectual schizophrenics they will stand by O’Searcaigh before lunch and after a hearty meal will be just as eager to stand by some mad mullah who would be more than happy to castrate him. Happy to praise the banality of Bowling for Columbine , delighted to raise it to the level of art ………but that was yesterday…..and a long way from home.
No , this has nothing to do with truth. This is war , class war and it’s vicious. Remember the first rule of war ; know your enemy. And this enemy all have one thing in common , none of them work for the minimum wage. They take a salary that most can only dream of and often supplement that with an Arts Council grant. They would try to convince you that this is about Truth or Justice and other such abstractions but there’s nothing at all abstract about an Arts Council grant or a journalist’s wage. Privilege always attempts to dress itself in fine clothes. And privilege can afford them.
Free speech is dead and it died on their watch , with their collusion but they didn’t even have the integrity to write it’s obituary. Browne’s article is both subtle and devious parading as he does his concern for the masses but we must not loose sight of what he is really saying. And he’s telling us to ‘look at the big picture’ ( he assumes , in his arrogance that we have not already done this). He asks us to consider the greater injustice ( but we’ve been saying just that for years ). He would like to divert our attention. Browne is the ‘reasonable man’ but as I’ve said elsewhere and often the reasonable man is always the one with the full belly. The more property/wealth a man acquires the more reasonable he becomes. Empires (once established and consolidated ) demand reason and order. Before we know it these words themselves have acquired an almost mystical quality , a pseudo- religious quality which may not even be questioned. It happens in the blink of an eye. As Dylan wrote , “It’s done with the flick of a wrist” and we never see it coming. “Words are power” and it’s the powerful who controll the media…..and the words.
To read my other posts on the O’Searcaigh affair click here and scroll down.
Cathal O’Searcaigh Mark O’Halloran The Moral Vacuum
March 16, 2008
I have written quite a bit in the last couple of weeks about Cathal O’Searcaigh and the movie , ”Fairytale of Kathmandu“. I have not seen the film and to be honest I have no interest in seeing it. O’Searcaigh is not important to me , nor are the opinions of those who choose to justify him in their various and pathetic ways. So this is my final word on the matter , for what it’s worth….
On Wednesday morning last I got up and had my two cups of coffee , flicked on my laptop and checked my emails. I had my little Sony radio sitting beside the laptop and , as is my habit , I switched it on without any real intention of listening to it…..I like a little ‘background noise’ , I’m one of those people who cannot concentrate without something at least murmuring in the background. The Tubridy Show was on and he , Brian Tubridy was talking to the Irish screen writer Mark O’Halloran but I wasn’t really paying much attention….at least that is , not to begin with.
O’Halloran had been involved in the Irish movie , “ Adam and Paul“, I think he may have acted in it but I have not seen the movie , he may have also written the script , I’m really not sure. The film is about two drug addicts . It’s a ‘day in the life ‘ kind of thing and we are invited to watch as they wander around the streets of Dublin looking for their next fix……It’s a comedy…… Before making the movie O’Halloran had followed drug addicts ( Junkies , as he called them) around the streets and he found it all a great laugh… We know this because he tells us so and he was having a good laugh while recounting the story.
He told a story about two young women , obviously stoned out of their minds , in the middle of O’Connell Street fighting over a choc-ice. He mimicked their voices ……he laughed as he recounted how these women (we can imagine them ) fought in the street like two zombies…..and this was just one of his stories…. He had lots of them , he went to great pains to explain to us how you could have great fun following human derelicts on the streets of Dublin… For , what seemed to me like an eternity , this man laughed and invited us to laugh at the spectacle of those ghost like figures we see wandering the streets of our capital city…..He went on and on ……while still laughing he told us about the young man trying to hold a cigarette in his hand while a needle was hanging from his hand at the same time…..and he laughed and laughed yet again. It was relentless….I sat in my room horrified and sickened hardly believing what I was hearing…..and still it went on …..and on… At one point there was a reference to Beckett and the absurd….but that didn’t diminish the horror of what I was hearing…..
- And O’Searcaigh ? …People keep referring to the fact that he did not feel that he was actually doing anything wrong. …How he was , in his own way , rather innocent….even vulnerable. They wonder why he seemed only too willing to hang himself in front of the camera……We all know the story by now.
But the truth of all of this is really quite simple. O’Searcaigh , like O’Halloran is a moral degenerate. These men have no moral compass to guide them. They are not even aware of the sin they commit. They are , in their own way , truly innocent….but in the wrong way….They do not understand , indeed are incapable of understanding that it is wrong , yes wrong to laugh at , or exploit those who are less fortunate than ourselves. And those who feel the need to say we must not judge in this way (they’ll judges us as ‘racist’ or ‘homophobic’ at the drop of a hat themselves) are no less morally compromised. These media hacks , the paid minions of their media bosses attempt to impose a new morality. Far from being independent they are the lumpen proletaritat in the service of the New European Corporate State. Their morality is ‘modern’ and , when necessary , flexible…….and you need a new morality when trying to justify the ‘free movement of labour’ itself the harbinger of the New European Corporate State. These , the paid servants of their press baron bosses warn of the dangers of racism while our most fundamental rights are being negated by the day…..without as much as a whisper from them. The right to strike abolished for all practical purposes as is the right to free speech….the homeless litter the streets , the sick and aged are treated with contempt , Ireland becomes an economy in place of a country and they have nothing to say…….nothing that is apart from the stock phrases , ‘HOMOPHOBIC’ and ‘RACIST’………….and like O’Searcaight and O’Halloran they are well paid…….and they know how to get an Arts Council grant….in the past we had a name for people like this ……They are the New Ireland……and they have the confidence (arrogance) that goes with new wealth……alongside their masters they have their heads in the trough and are feeding with a frenzy…..
As I said many times , O’Searcaigh is not the real issue and never was. The real issue is both simple and complex at the same time and has to do with the society we inhabit. It has to do with our values , our morality if you want to call it that. But it also has a lot to do with power and how it is exercised. It has to do with a new morality for a New Ireland and how to sell that morality……
The moral relativism of O’Searcaigh did not come from nowhere. He , and the many , the very many who stand by him are a product of the society they live in. Our education system educated these people. And none of this is an accident. It hasn’t just happened. There is , as indeed there always is , a very real logic behind all of this……there is an inevitability about it all….
………..’and we have seen it all before. We’ve seen how , in Hitler’s Germany , millions of good decent people voted into power one of the most evil men in history……and we have asked ourselves how these people could not only let it happen but be willing participants in the affair…and even while we ponder the question our poor , sick and vulnerable lie for days in hospital corridors….with every passing minute our society becomes more uncaring….the rich get even richer while the poor are marginalised…..there is a new brutality in the air…..we have become selfish…..We have become both liberal and intolerant at the same time… we are , if we but knew if , the new barbarians…
No , O’Searcaigh is not important….and his poetry even less so. He is the product of a new Ireland but more importantly the product of a new Europe…..Had he been born twenty years earlier he might have been a Christian Brother. O’Halloran will continue with his movie career….no one will condemn him , no one will point to the obscene racism behind his warped sense of humour…..The journalists of Ireland will continue to prostitute themselves in the pursuit of advancement in their trade…..Tubridy will , no doubt , continue with his radio programme……he will I imagine ,warn us of the danger of racism from time to time…..and he’ll be well paid for it too…
…………………and the landlords of Ireland will smile……..
”Sure isn’t it a great little country”.
You can find a podcast of The Tubridy Show HERE. It may take a few minutes to download depending on the speed of you internet connnection.
Cathal O’Searcaigh Eoghan Harris Fairytale of Kathmandu Debate
February 11, 2008
Writing about the issues raised by the movie , “Fairytale of Kathmandu” and the poet Cathal O’Searchaigh , Eoghan Harris in the Independent’s anyalsis page treats us to a few pearls of wisdom or what passes for wisdom with those like Harris.
Speaking of the poet Maira Mhac an tSaoi’s comments on the Joe Duffy Show he refers to her “forensic tour de force ” !! And what was her contribution to the debate ? Well ,she suggested that O’Chainnin’s had betrayed a friend and acted for mercenary reasons …You can read the whole thing yourself but that’s what it all comes down to. Harris is obviously a man who is easily impressed.
He then goes on to tell us that Eamon Delaney has let the cat out of the bag about the Rape Crisis Centre and that …..wait for it …….(drum roll ) …the Rape Crisis Centre has a feminist agenda…. not only is this man easily impressed but he’s also a bit behind on what the dogs in the street have been yelping about for years.
Now in case you think I’m being unfair to Harris here’s that link again (LINK) and oh , by the way Mr. Harris did manage to overlook one thing that Maira Mhac an sTaoi said on the radio , ie that young oriental boys were not as sexually innocent as they might seem. (and we all know what she really means , don’t we ). But if you feel that I might be misrepresenting her then just listen for yourself. RTE Liveline Podcasts .But the wonderful Harris is not a man to do things by half. In for a penny in for a pound. And so in true Irish fashion he drags up old history…….he opens his mouth but forgets to engage the grey matter first and thus comes out with this bit of insight …..(another drumroll ….)…
He tells us that Roger Casement ’s reputation would have been ruined if a camera crew had been around in his day. He tells us that Casement had ’sordid’ sex with boys and then goes on to say that he (Casement ) went on to show dauntless courage fighting colonial power. Now it’s difficult to ruin someones reputation if they never had a good reputation in the first place. And perhaps Harris was a very stupid little boy and swallowed all the propaganda he was exposed to in his childhood history classes but he should not assume that we were all as stupid as him. I can only speak for myself but I cannot remember , even as a very young child , believing that Casement or Collins were anything more than thugs and psychopaths. True , the Christian Brother of Westland Row tried to convince me that these were Great Men but I didn’t believe it then and certainly don’t believe it now. Now don’t get me wrong , I’m not saying that I was particularly clever or anything like that , it’s just that I never was a complete ’thick’. Casement’s speech in the dock was a fine speech no doubt but he was talking about himself….and he’s not the first to use this world of ours as his own plaything …as a platform upon which to carve out his own destiny. History ,as we all know is written by the victor. …..and the fact that it was a Catholic school system that tried to impress upon us the virtues of Casement ( while beating , humiliating and abusing vulnerable children ) should be enough to make us wary of accepting THEIR heroes uncritically.
Unfortunatly people like Harris control the media and so dictate the level of debate. Have you notice how all these people keep referring to the fact that O’Searcaigh is a poet ? We all know he’s a poet so why do they keep mentioning it. Just last night on the radio I heard some media people refer to him almost as a tortured soul. You all know what I mean. Why this assumption of an almost spiritual nature to the man ?. Did anyone feel the need to ascribe these characteristics to Michael Jackson. No they didn’t , in spite of the fact that they both have presented themselves to the world in much the same manner. Jackson like O’Searcaigh is seen as ’naive’ almost childlike in his openness …even the body language is simular…and then there’s Garry Glitter. Has anyone tried to defend Glitter? Or look beyond the headlines to consider the man himself ? Or his predicament ?
When Eoghan Harris writes about O’Searcaigh he is of course really trying to tell us something about himself. He is telling us to look at him. To take notice of the ‘liberal’ man who understands the issues. He has his own agenda and it’s quite transparent…. But like O’Searcaigh , he has misjudged the mood of the nation. He has also misjudged the intelligence of it’s people. …..
I have just found this quote from Pauline Bewick , one of O’Sharkey’s defenders , and well know artist. “ Rapists and paedophiles should be castrated “. She would no doubt say that O’Sharkey is none of these but the tone of this remark , the uncompromising nature of it is very different from that which she uses when speaking of O’Sharkey. This extreme right wing sentiment is in sharp contrast to her liberal attitude when speaking of exploitation in Nepal.
Fairytale of Kathmandu . Neasa Ni Chainain. Maira Mhac an tSaoi. Cathal O’Searcaigh. Child Abuse Ireland . Denial and the Poet.
February 5, 2008
The film Fairytale of Kathmandu by the young Irish director Neasa Ni Chainain , which is due to be shown as part of the Irish Film Festival this month and later to be broadcast by RTE television has opened a new chapter in the history of child abuse in Ireland.
The film was originally planned as a tribute to the poet Cathal O’Searcaigh but the director (who is a neighbour and friend of O’Searcaigh ) found herself witnessing the grooming of young men and boys by O’Searcaigh for sexual purposes and so it ended up a very different movie than what she had planned for.
For the full story behind this you should go to the web site for the film at Fairytale of Kathmandu and click on the ‘press’ tab. Sharkey (his english name ) admits in the movie to having sex with many young men and boys (he uses the term ‘boys’ himself ) and claims that as he puts it , his ‘door is open to everyone’ .
But my reason for writing this post is not so much Sharkey himself or the movie but more about the reaction , or rather one particular reaction to it in Ireland. The film was being discussed today on RTE radio’s ‘Liveline’ otherwise known as ‘The Joe Duffy Show’. While discussing the issues involved Fiona Neary of the Rape Crisis Centre was making a general point about the innocence in sexual matters of young people in Nepal and how we in Ireland really could not fully comprehend just how innocent young boys are in that society etc. A friend of Sharkey’s and a fellow poet Maira Mhac an tSaoiwho was one of Duffeys’ guests took issue with this. She had been defending Sharkey and had accused the director of the movie of betraying a friend etc but at one point she said ” I find it difficult to believe (ie Asian boys being innocent) . ” LITTLE Asian boys are brought up to know about sex. ” The very clear and indeed only possible implication of this remark was that the victims were to blame.
We have all heard this kind of thing before. There are certain people (and not a few of them women ) in Ireland who , when paedophile priests were first exposed denied that such a thing was true and when that became untenable turned their attention to the child victims and questioned the ‘innocence’ of these same victims. It’s an old trick and a dirty one at that.
The Irish Gardai are now investigatingthe matters raised by the movie and no doubt we will hear more about all this in the near future. It’s by no means clear that Sharkey will end up where he belongs….there are issues here that go way beyond the case of Sharkey himself and there are many in the Irish media who will be running to Sharkey’s aid….!!!!!. But what must be said , and stated clearly is that shifting the blame to the victim is never acceptable. The moral bankrupcy which is represented by people like Maira Mhac an tSaoi is something that has been inflicted on children , vulnerable children in Ireland for far too long. Those like Mhac an tSaoi have no role or place in a civilised society. If she had honor she might do the honorable thing……but that would require courage…..and a conscience.
For a fuller understanding of the situation in Nepal see ….”A Situational Anyalsis of Child Sex Tourism in Nepal “.
UPDATE: Since I posted this story the supporters (and there are many ) of Sharkey have been rushing to defend him. Fellow poets and neighbours have been telling us what a wonderful man he is and making much of the fact that what he is involved in may not be illegal in Nepal. It’s quite frightening to hear such people ……they speak of him as a good neighbour , a pillar of the artistic community…..in short we are hearing the same mantra that was put forward while Christian Brothers and Catholic priests were destroying the lives of children in schools and orphanages throughout Ireland. If ever there was an instance of moral relativism then surely this is it. Thousands of Irish men travel to places such as Nepal and Thailand on a regular basis and do so for the sole purpose of having sex with vulnerable young people. The issue here is not only a matter of legality but also one of morality. But it seems that if you a famous poet or a good neighbour these thing just don’t matter.
17 February 08. Just now on the Joe Duffey Show the Irish artist Pauline Bewick has come to the defense of O’Sharkey. She is at the moment working to illustrate a book of his. The entire artistic community of Ireland seems to be falling over itself to protect Sharkey with a total disregard for the victims. She claims her support for him is based on the merit of his poetry and her ‘gut feeling’. She has also described him (as many have) as a very innocent man. She then brought up the age of the victims and the fact that it may not have been illegal. I find myself lost for words. How many more Irish people are going to come forward trying to justify a 50 plus year old man having sex with young boys. It must be stressed here that a sixteen year old boy in Nepal is about as mature in sexual matters as a ten year old Irish boy. Paula Bewick like many others uses the logic that as O’Sharkey is a friend of hers then he cannot be a bad person. In short they and she are using the same argument used by those who stood by as Irish priests and Christian Brother abused vulnerable children here in Ireland. As I said when I first put this post up on my blog , there is more going on here than concerns Cathal O’Scearchaigh…..there’s a hell of a lot more going on and it doesn’t reflect at all well on our Irish society. If the movie ‘Fairytale of Kathmandu’ was about an unemployed man or someone like that none of this would be happening. And the fact that O’Sharkey has been outed by , so to speak , a fellow member of the artistic community is not without significance. And in Ireland the arts and media often overlap which might explain the relative quietness of most of the media in Ireland on this whole matter. Hot Press is due to publish something next week about this business and the author is ‘very angry’ at how Sharkey has been treated while Gay Community News is claiming that it’s O’Sharkey who is being exploited….But I predicted as much when I first posted this in my blog……and I’m not physic or anything like that. Modern Ireland , and the self proclaimed ‘liberal’ elite does not like having what it see’s as one of it’s own being put in the spotlight like this. And the reason is of course that they feel , consciously or otherwise that it’s they who are being judged. Indeed , indeed and as I also said earlier, this story is about a lot more than Cathal O’Searcaigh.
Painted in 1775 this is one of the more popular paintings in the collection of The National Gallery of Ireland. Measuring 145 cm by 173 cm and originally called “The Pictorial Conjurer displaying the Whole Art of Optical Deception” the picture is a direct attack on Sir Joshua Reynolds the then president of The Royal Academy.
In 1774 Reynolds in a lecture to the academy at a prize giving ceremony argued the importance of copying not just from nature but from the old masters as well. A year later Hone produced this picture but it was rejected by the academy although it had originally been accepted until a complaint from the artist Angelica Kauffman in which she claimed that she had been represented as a nude in the top left of the picture. This however was really just a ruse and the real complainant was Reynolds. Hone later painted out the nude figures and went on to exhibit the painting at no.70 St. Martins Lane in London where it probable recieved more notice than it might have if it had been exhibited at the academy. This is believed to be the first one man show in Britain. A sketch in oils for the painting is to be seen in The Tate Gallery , London.
This is not the only time that Hone had trouble with the academy over one of his pictures. In 1770 The Royal Academy asked him to make changes to one of his paintings in which a Capuchin Friar while seated at a table could be seen stirring a bowl of punch with a crucifix.
Top picture is the sketch in The Tate Gallery and the bottom is from the book Irish Paintings in the National Gallery of Ireland. (see previous post). See also Fra Angelico.
I took a stroll down to the National Gallery today.
I go there once or twice a week as it is only a twenty minute
walk from where I live but I never fail to be amazed at how poor
some of the pictures look in comparison to how they are
presented in the catalogue. The above is one of the gems of
the collection in the gallery and to be quite honest it looks a
lot better in this reproduction than it does in real life. It’s a lot
smaller than you would expect it to be and is rather dull and
even bland. But it’s not just this one painting, there is a canvas
by Caravaggio ” The taking of Christ” which was discovered
recently in a church here in Dublin, which you imagine to
be gigantic but isn’t. Walking around the gallery one is
constantly struck by the mediocrity of many of the works.
And you can’t smoke. Now most people would say “so what”
but if your like me and a smoker then it’s a bit of a drag
not to be able to sit down and have a smoke while viewing
the pictures.
I rarely bother looking into the room where 20th century
Irish art is displayed as my favorite artist, Michael Kane
is not on display there…’plenty of Yeats who I am not at all
impressed with. There is however a piece by Mainie Jellett
one of whose gouaches I am lucky enough to own.
Still, it’s an agreeable way to spend the afternoon and it does
not cost anything and as you walk down to it you pass through
terraces of Georgian house for which Dublin is renowned.
But there is little ‘great art’ to be found and what is there is
a collection of ‘all the old regulars’ which makes for a dull
and unimaginative collection. But I think the real killer is
that there are no chances being taken here, it’s conservative
in the worse sense.
Michael Kane . Irish Artist . Rubicon Gallery. (updated)
April 5, 2006

Born in Dublin in 1935, he studied at the National College of Art & Design, and with Patrick Hickey at the Graphic Studio in Dublin. He has worked for extended periods in Britain, Switzerland and Spain, and was involved in the establishment of the Independent Artists’ exhibitions and co-founded the Project Arts Center in Dublin.
To see a video broadcast of a Michael Kane exhibition click on this link and then download video.
Howard Knee . An Irish Artist Revisited
March 31, 2006
When I was young and growing up in the fifties in Dublin I was not aware of art as such. My parents were ‘respectable’ working class and we always had books in the house. My father was old Fianna Fail and there were a lot of Irish books most of which he never actually read and at Christmas time the only cards I saw were by Brian O’ Higgins. We had no paintings that I can recall apart that is from a view of Dublin harbor by Howard Knee. This was hung in what was called the parlor. The parlor being the front room, the best room, revered for visitors and special occasions was permanently cold and no one in the family ever used . was a rather bland water colour and I neither liked or disliked it, it was just ‘there’ and part of the furniture. A few years age when my parents died I sold it along with some bits and pieces from the house. I have never missed it and have not been tempted to buy a Howard Knee since








